Andrea Lundgren

Writers are told to make their verbs work for them–which means picking verbs powerful enough to stand without modifiers and adverbs like “very,” “slowly,” “quickly,” and the like.

But sometimes this can lead to distracting the reader, where the verb used is so particular, so unique, and so unusual as to send them to the dictionary or make them ponder the term longer than necessary. It isn’t always that important to the story to say “he contemplated” rather than “he thought.” Sometimes, the best verb is a simpler one, the one that gets out of the way and tells the story without holding the plot up.

For example:

He ran his fingers through his hair in a hurried gesture before opening the door to his boss’ office. She was there, sitting behind the desk in pristine glory, and the words he’d rehearsed in his head for days on end suddenly…

View original post 246 more words

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s