Andrea Lundgren

Writers are told to make their verbs work for them–which means picking verbs powerful enough to stand without modifiers and adverbs like “very,” “slowly,” “quickly,” and the like.

But sometimes this can lead to distracting the reader, where the verb used is so particular, so unique, and so unusual as to send them to the dictionary or make them ponder the term longer than necessary. It isn’t always that important to the story to say “he contemplated” rather than “he thought.” Sometimes, the best verb is a simpler one, the one that gets out of the way and tells the story without holding the plot up.

For example:

He ran his fingers through his hair in a hurried gesture before opening the door to his boss’ office. She was there, sitting behind the desk in pristine glory, and the words he’d rehearsed in his head for days on end suddenly…

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